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Biography Bruce Springsteen
Born on 23 September 1949, Freehold, New Jersey, USA. As the world\'s greatest living rock \'n\' roll star, Bruce Springsteen has unconsciously proved former Rolling Stone critic Jon Landau totally correct. Landau appeared smug and brave when he made the arrogant statement in 1974, \"I saw rock \'n\' roll future, and its name is Bruce Springsteen\". Prior to that, Springsteen had paid his dues, playing in local bands around New Jersey, notably with the Castiles, Earth, Steel Mill and Dr Zoom And The Sonic Boom, before he settled as the Bruce Springsteen Band with David Sancious (keyboards), Gary Tallent (bass), Clarence Clemons (saxophone), Steven Van Zandt (guitar), Danny Federici (keyboards), and Vini Lopez (drums). Following an introduction to CBS Records A&R legend John Hammond, Springsteen was signed as a solo artist; the company sensed a future Bob Dylan. Springsteen ignored their plans and set about recording his debut with the band Greetings From Asbury Park N.J.. The album sold poorly, although critics in the USA and UK saw its potential. The follow-up only 10 months later was a much stronger collection, The Wild, The Innocent & The E Street Shuffle. Future classics were on this similarly low-selling album, including \"Rosalita\" and \"Incident On 57th Street\". It also contains the beautiful \"Asbury Park Fourth Of July (Sandy)\", later recorded by the Hollies. His musicians were re-named the E Street Band after its release and during the following May, Landau saw the band and made his now famous statement. He eventually became Springsteen\'s record producer and manager. During this time, the first two albums began to sell steadily, following a heavy schedule of concerts, as word got out to the public that here was something special. Springsteen wrote directly to his fans in a language which they understood. Here was a working class American, writing about his job, his car/bike, his girlfriend and his hometown. Born To Run came in 1975 and immediately put him into rock\'s first division. This superb album contained a wealth of lyrical frustration, anger and hope. The playing was faultless and the quality of the songs was among his best. Critics and fans loved it, and the album was a significant hit on both sides of the Atlantic. During the accompanying tour Springsteen collected rave reviews and appeared as cover feature in both Newsweek and Time. Throughout his European tour the UK press was similar in their praise and exhaustive coverage, which led to a backlash of Bruce Springsteen jokes. Springsteen\'s recording career was then held up for three years as he and Landau entered into litigation with Mike Appel, with whom Springsteen had struck a management deal in 1972. Other artists kept the torch burning brightly, with Manfred Mann\'s Earth Band releasing a sparkling version of his song \"Blinded By The Light\" and Patti Smith recording a definitive cover of his \"Because The Night\". Other artists like ex-Hollie Allan Clarke, Robert Gordon, and the Pointers Sisters recorded his material. With the lawsuits successfully completed the anti-climactic Darkness On The Edge Of Town arrived in 1978. The album reflected the problems of the past years and is a moody album, yet 15 years later it still stands as a great work. The show-stopping \"Badlands\" and \"The Promised Land\" were two of the album\'s masterpieces. From the moment the record was released in June, Springsteen and the band embarked on a gruelling tour which took them into 1979.
On his 30th birthday he played at the historic MUSE concert; the subsequent No Nukes album and video captured a vintage Springsteen performance of high-energy and humour. After feigning collapse onstage, he cheekily got the audience to beg for an encore having previously pointed out to them that he could not carry on like this as he is 30 years old! The audience loved the banter and together with the great Clarence Clemons, he roared into an encore of \"Rosalita\". The next months were spent recording the double-set The River, which received almost as much praise as Born To Run. All shades of Springsteen were shown; the album was brooding, depressing, pensive, uplifting, exciting and celebratory. In 20 songs, Springsteen covered every aspect of both his and the listener\'s life. It was hard to pick out any single standout tracks, but \"Hungry Heart\", \"The River\" and \"Fade Away\" were all released and became hit singles. The following year he toured Europe again, and helped to resurrect Gary \"U.S.\" Bonds\' career by producing and writing some of his comeback Dedication. \"This Little Girl\' is one of Springsteen\'s finest songs and Bonds found himself back in the charts after almost 20 years\" absence.
Nebraska, a stark acoustic set which was recorded solo directly onto a cassette recorder, was released in September 1982. It is raw Springsteen, uncompromising and sometimes painful; Bruce without his clothes on. At one point on the album he imitates a wolf cry, but to many it was a genuine howl, that struck terror when turned up loudly. After a further lengthy wait for a new album, Born In The USA arrived in 1984. As is often the case, the album that is the most commercially accessible, best selling and longest resident in the charts, is not always the artist\'s best work. Born In The USA was a prime example. Selling over 12 million copies, it stayed in the UK charts for two-and-a-half years, in the country of origin it stayed even longer. Numerous hit singles were released including the title anthem, \"Cover Me\" and \"I\'m On Fire\". During one bout of Springsteen-mania on his 1985 European tour, all seven albums to date were in the UK charts. That year also saw him marry Julianne Phillips, and support political and social issues. He participated in the USA For Africa\'s \"We Are The World\" and joined former E Street Band member Steven Van Zandt (who had been replaced by Nils Lofgren the previous year) on the Artists United Against Apartheid song \"Sun City\". In festive style his perennial \"Santa Claus Is Coming To Town\" made the UK Top 10 in December. Along with Bob Dylan, Springsteen is the most bootlegged artist in history. In order to stem the flow he released a five-album boxed set at the end of 1986. The superbly recorded Live 1975-1985 entered the US charts at number 1.
The following year Tunnel Of Love was released; the advance orders took it to number 1 on the day of release in the UK and USA. It was another exceptionally strong work, an intensely personal examination of the fallout from a failed love affair. Springsteen followed it with another major tour and visited the UK that summer. After months of speculation and paparazzi lens\' intrusions, Springsteen\'s affair with his back-up singer Patti Scialfa was confirmed, with his wife filing for divorce. Springsteen continued to be political by supporting the Human Rights Now tour for Amnesty International in 1988, although from that time on he has maintained a lower profile. During the late 80s he performed numerous low-key gigs in bars and clubs and occasional worthy causes as well as his own Tunnel Of Love tour. Springsteen\'s successful European tour was clouded by the press\' continuing obsession with his divorce. In 1989, he recorded \"Viva Las Vegas\" as part of a benefit album, and reached the age of 40. In the same year, the E. Street Band disintegrated following the singer\'s suggestion.
During the early 90s the press followed Springsteen\'s every move, anxiously awaiting signs of action as he continued to enjoy life, occasionally appearing with other famous musicians. It is a testament to Springsteen\'s standing that he maintained his position, having released only eight albums of new material in almost 20 years. In 1992, he issued two albums simultaneously: Human Touch and Lucky Town. Both scaled the charts in predictable fashion as fans and critics welcomed him back, although not with quite the fervour of the past. He composed \"Streets Of Philadelphia\" the emotionally charged title track for the movie Philadelphia in 1994. In 1995, it was reported that he was working with the E Street Band (including Clemons) again. His Greatest Hits collection also included two new tracks and two previously unreleased oldies.
As a complete about turn, 1995\'s The Ghost Of Tom Joad was a solo acoustic album. The album was warm, mellow and sad, in direct contrast to the stark and hollow power of Nebraska. Sounding a lot like Dylan, Springsteen had become ol\' grandpappy, telling stories of Vietnam, prison life and lost love. He no longer sounded angry or energetic; merely philosophical. It was, however, one of his strongest albums in years, yet one of his least commercially successful. In 1998, Springsteen successfully fought a lawsuit to stop a UK company issuing some early material. This media item coincided with the release of a surprisingly good box set, containing 66 unreleased tracks. Normally, the original reluctance to release such material is well-founded on the basis of, if it was not good enough then, why bother now. This set bucked the trend and was highly praised. It has already become one of the most important releases of his career (much in the way The Bootleg Series became for Bob Dylan). The following year Springsteen embarked on a rapturously well-received world tour with the rejuvenated E Street Band. In June 2000, Springsteen unveiled a new song, \"American Skin\", at a performance at Madison Square Garden. A scathing comment on the police shooting of the unarmed Bronx resident Amadou Diallo, the song prompted calls by the NYPD for a boycott of the singer\'s concerts. On July 30th 2002 the rock genius released his new album \"The Rising\". He recorded it together with the entire E Street Band after Sept. 11th. In this album, Bruce sings about the feelings after September 11th, the sadness in the air and the importance to rise up again.
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